How to play tunes for dance
Tunes used for Morris Dance, in common with very many traditional tunes, are not generally written down in sheet music as they are actually played. This can cause problems for some classically trained musicians who are used to playing the notes exactly as written in the score. Rather, the written score should be taken as an aide-memoire and not as a definitive statement of how the tune should be rendered by the musician.
The most common short hand technique in the written score is in the representation of pairs of quavers. These should almost never be played with equal duration of each quaver in the pair but rather by extended the duration of the first quaver at the expense of the second. This long-short pairing can be written as a dotted quaver followed a semiquaver.
Obviously, this would be tiresome to write out in full every time, especially when the writer was intending merely to produce something to remind themselves of how the tune actually goes.
I have attempted to illustrate the long-short quaver pair by taking a well known example tune (Cock O' the North - aka Auntie Mary). The score is usually written something like this:
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Notice how lifeless and 'flat' the tune feels when rendered in strict time. Compare this second version where the long-short pairs are written out in full. The tune is in 6/8 (Jig) time so long-short quaver pairs fall on the 1st and 4th beats in the bar. Quavers at the 3rd and 6th beats are given their full value.
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It is the musicians responsibility, after keeping good time and tempo, to give the tune the lift and lightness of feel that will encourage the dancers to perform the dance sometimes for as much as a whole day at length.
Mark Blinkhorn (talk) 02:10, 12 October 2018 (BST)
