Play Dance Tunes: Difference between revisions
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{{#vardefine:Tune1|Auntie Mary as written}} | {{#vardefine:Tune1|Auntie Mary as written}} | ||
{{#vardefine:Tune2|Auntie Mary as played}} | {{#vardefine:Tune2|Auntie Mary as played}} | ||
Tunes used for Morris Dance, in common with very many traditional tunes, are not generally written down in sheet music as they are actually played. Rather, the written score should be taken as an aide-memoire and not as a definitive statement | Tunes used for Morris Dance, in common with very many traditional tunes, are not generally written down in sheet music as they are actually played. Rather, the written score should be taken as an aide-memoire and not as a definitive statement of how the tune should be rendered by the musician. This can cause problems for some classically trained musicians who are used to playing the notes exactly as written in the score.<p> | ||
The most common short hand technique in the written score is in the representation of pairs of quavers. These should almost never be played with equal duration of each quaver in the pair but rather by extended the duration of the first quaver at the expense of the second. This long-short pairing can be written as a dotted quaver followed a semiquaver.<p> | The most common short hand technique in the written score is in the representation of pairs of quavers. These should almost never be played with equal duration of each quaver in the pair but rather by extended the duration of the first quaver at the expense of the second. This long-short pairing can be written as a dotted quaver followed a semiquaver.<p> | ||
Obviously, this would be tiresome to write out in full every time, especially when the writer was intending merely to produce something to remind themselves of how the tune actually goes.<p> | Obviously, this would be tiresome to write out in full every time, especially when the writer was intending merely to produce something to remind themselves of how the tune actually goes.<p> | ||
Revision as of 00:01, 12 October 2018
Tunes used for Morris Dance, in common with very many traditional tunes, are not generally written down in sheet music as they are actually played. Rather, the written score should be taken as an aide-memoire and not as a definitive statement of how the tune should be rendered by the musician. This can cause problems for some classically trained musicians who are used to playing the notes exactly as written in the score.
The most common short hand technique in the written score is in the representation of pairs of quavers. These should almost never be played with equal duration of each quaver in the pair but rather by extended the duration of the first quaver at the expense of the second. This long-short pairing can be written as a dotted quaver followed a semiquaver.
Obviously, this would be tiresome to write out in full every time, especially when the writer was intending merely to produce something to remind themselves of how the tune actually goes.
I have attempted to illustrate this long-short quaver pair by taking a well known example (Cock O' the North - aka Auntie Mary).
Sheet Music
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ABC Code
Invalid URI: {{{Tune}}}.abc
Notice how lifeless and 'flat' the tune feels when rendered in strict time when compared to the second version.
Sheet Music
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ABC Code
Invalid URI: {{{Tune}}}.abc
It is the musicians responsibility to give the tune the lift and lightness of feel that will encourage the dancers to perform the dance sometimes for as much as a whole day at length.
